Toronto Canada’s biggest city, comes with all the trappings and frenetic pace of a metropolis. Finding and creating beauty can become obscure. However, we discovered designer Christine VonBun who handcrafts exotic leather handbags in her Toronto workshop. Discover her artistic inspiration and backstory here:
What brought Christine VonBun to Toronto?
When I made my decision to leave South Africa, I set my sights on a country with vast open space. The options were limited. My tennis partner spent eight years in Canada and loved it. Toronto was the obvious choice if I wanted to stay in my field with the benefits of a larger city. I never regretted that decision. We live three hours from Algonquin Park and try to get out with our beloved canoe (we name her HMS Edelweiss) as often as we can.
Christine VonBun fabricates a collection of handcrafted leather handbags in Toronto. Her interest in fashion started on a miniature scale sewing clothes for her dolls. Christine’s youthful pastime led to her educational choice, a dedicated fashion school in Vienna, Austria, called Modeschule Hetzendorf in a baroque castle.
The school’s applicants must pass an entry exam to test their artistic and creative abilities. Christine began the intense five-year program at the age of 14. Many students were in their early twenties and the class size was limited to 24 people. The first two years centred around art, colour development and artistic education along with traditional high school courses. In the program’s third year, you are required to select a speciality. Christine chose leather and began working on handbags, belts and wallets.
After three years at Modeschule Hetzendorf, Christine received a journeyman’s certificate in handbag design and manufacture along with a degree in graphic and fashion illustration. However, her goal was to achieve her master craftsman certification, which in Austria legally allows you to open a store and workshop in your field. Christine VonBun was clearly dedicated; she had to work as an apprentice before applying for the elite track, which then required more specialised design and handcrafted work along with business related courses.
What was the final step?
“A technical two-day exam where you have to manufacture a prescribed handbag in a Master’s workshop – while they watch you doing it.”
Master craftsman Christine VonBun moved from Austria to Cape Town where she honed her skills working for Cape Cobra Leathercraft a manufacturer of luxury leather handbags made with exotic leathers.
How does Christine VonBun describes her exotic leather handbag collection?
I use my favourite leather (ostrich) as the basis of my collection. What I do now is a limited collection, all the bags have a similar identity. Most of my bags include some interesting detail or complicated aspect of construction you won’t see elsewhere. I am trying to let my craftsmanship speak for itself to set my bags apart from others. My line now is all about elite craftsmanship, exclusive materials and timeless elegance.
What inspires your design work?
I love to travel, and I love architecture, especially modern architecture and art deco. My inspiration is something out of the ordinary; such as a building or a structure in a European city or even a small town, sometimes it’s the picture-perfect rock formation somewhere in the Canadian Wilderness. These things inspire me to create.
Can you explain how ostrich leather is different from other materials?
I fell in love with ostrich leather while working in South Africa. The leather is really in its own category with its unique texture and softness. Due to a natural tanning process, ostrich is the only exotic leather that gets more beautiful the more you wear it. The ostrich leather absorbs the oil from your skin and the textured quill areas get shiny and wonderfully soft. I have been wearing my denim blue Adele bag for over eight years, and it is still beautiful, I wouldn’t trade it for a new bag. Ostrich is often mistakenly referred to as endangered, and nothing could be further from the truth. There are now many ostrich farms and leather sources, but I use only Klein Karoo ostrich, they are the world leader for ostrich product. I won’t compromise on leather quality.
What tools do you need for your work?
The primary machines are a particular walking foot leather sewing machine and a skiving machine for thinning the edges. When it comes to hand tools, I have a selection of double-facetted hand-knives for cutting, and specialised skiving knives for thinning the leather edges. I need a fishbone knife for turning the edges. There are also a variety of pliers and hammers, and a good assortment of small screwdrivers, chisels and some glue pots. I use different adhesives for separate parts of the process. The most important piece for hand working is a large soft flat stone. I got mine from my old Master in Vienna. These fine sandstones are not easy to come by – most come from European churches when they renovate.
The biggest factor in making a bag is that there are many individual steps. You are much more efficient when making multiples of the same style. On top of this, ostrich compared to a flat leather adds at least 50% additional time. Ostrich skin is a premium leather, the quill pattern complicates how you cut, you want to maximise every square inch. Ostrich also has the added difficulty of a very time-consuming preparation procedure order to start the assembly.
To answer your question more precisely, if I make the Lola in patent leather, and I make more than one at a time, I could get away with about four to five hours per bag. If I make multiple Lolas in ostrich, I am likely to spend eight hours per handbag. However, a single bag could take 12 hours. With that effort to produce a single purse, it’s easy to understand why these handbags are limited pieces. View the Christine VonBun creator page and order your signature leather handbag today!